Albert’s grounded sci-fi drama screenplay Incarnations has placed as a quarterfinalist in the Creative Screenwriting Unique Voices Screenplay Competition. Semifinalists will be announced on March 7, 2023.
Named “Best Screenwriting Magazine” by the Washington Post and Los Angeles Times, Creative Screenwriting Magazine is the premiere magazine for TV and feature film writers since 1994.
Incarnations, written by Albert, is a “Black List Endorsed/Recommended” script about an agnostic biologist grieving the death of his four-year-old son who discovers a mysterious marker that could be scientific proof of the afterlife, launching him on a quest to prove his theory and reunite with his son. Incarnations was recently selected for a 2022-2023 Humanitas New Voices Fellowship, as a work that explores the human condition in a nuanced, meaningful way. The project also won First Place in the Best Screenplay competition at the Oscar-accredited 2021 Rhode Island International Film Festival, and was a finalist for the Tracking Board Launch Pad Feature Competition, Creative Screenwriting Unique Voices Screenplay Competition, and Screencraft Film Fund.
“THOUGHT-PROVOKING, MINDBLOWING, AND HEARTFELT, INCARNATIONS BLENDS SCIENCE-FICTION, SPIRITUALITY, AND PATHOS TO CREATE SOMETHING WHOLLY NEW AND MEMORABLE… INCARNATIONS HOOKS OUR ATTENTION IMMEDIATELY WITH ITS MINDBLOWING HIGH CONCEPT. THE EXECUTION THAT FOLLOWS IS THOUGHTFUL AND HUMAN… INCREDIBLY POWERFUL AND STIRRING, A UNIQUE CATHARSIS ONLY THIS SCRIPT AND THIS CONCEPT CAN DELIVER.”
“CLEVER, ORIGINAL, INTELLECTUALLY STIMULATING, AND GRIPPING, A HIGH CONCEPT IDEA THAT TRANSLATES INTO A SMART CHARACTER- AND IDEA-DRIVEN STORY… THE PLOT TWISTS ARE CONSISTENTLY SURPRISING… THE KIND OF LOW-BUDGET, INTELLECTUAL THRILLER THAT PLAYS AT SUNDANCE… THE IDEAS ARE KING HERE.”
“SOARS EMOTIONALLY WITHOUT EVER FEELING SENTIMENTAL, CLOYING, OR FALSE… THE SCRIPT IS TRULY UNIQUE. IT’S UNLIKE ANYTHING THE READER HAS SEEN BEFORE: A FASCINATING PREMISE WITH AN ENTHRALLING WORLD.”
“INCARNATIONS DELIVERS ON ALL THE BEST PARTS OF A GOOD CEREBRAL SPECULATIVE FICTION PIECE. IT DOESN’T SHY AWAY FROM THE HUMAN QUESTIONS RAISED BY THE PREMISE, INSTEAD USING THE CONCEPT TO GROUND A COMPELLING CHARACTER-DRIVEN NARRATIVE FRONT TO END… A WELL-CRAFTED AND DEEPLY INTELLIGENT PIECE OF FICTION, THOUGHT-PROVOKING IN ALL THE RIGHT WAYS.”
“THE CHARACTERS AND RELATIONSHIPS ARE THE STRONGEST PART OF THIS STORY AND IT SETS A STRONG FOUNDATION FOR PLOT… SO MUCH OF THE DIALOGUE IS POWERFUL… REFRESHINGLY HONEST… THE ENDING WAS INCREDIBLY EMOTIVE… THERE ARE MEANINGFUL MESSAGES THAT WE’RE LEFT WITH, THAT WE’VE LEARNT ALONG THE JOURNEY WITH THE CHARACTERS.”
